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1
.gitignore
vendored
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1
.gitignore
vendored
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|||
/target
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75
Cargo.lock
generated
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75
Cargo.lock
generated
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|||
# This file is automatically @generated by Cargo.
|
||||
# It is not intended for manual editing.
|
||||
version = 3
|
||||
|
||||
[[package]]
|
||||
name = "cfg-if"
|
||||
version = "1.0.0"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "baf1de4339761588bc0619e3cbc0120ee582ebb74b53b4efbf79117bd2da40fd"
|
||||
|
||||
[[package]]
|
||||
name = "getrandom"
|
||||
version = "0.2.8"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "c05aeb6a22b8f62540c194aac980f2115af067bfe15a0734d7277a768d396b31"
|
||||
dependencies = [
|
||||
"cfg-if",
|
||||
"libc",
|
||||
"wasi",
|
||||
]
|
||||
|
||||
[[package]]
|
||||
name = "libc"
|
||||
version = "0.2.140"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "99227334921fae1a979cf0bfdfcc6b3e5ce376ef57e16fb6fb3ea2ed6095f80c"
|
||||
|
||||
[[package]]
|
||||
name = "liff"
|
||||
version = "1.0.0"
|
||||
dependencies = [
|
||||
"rand",
|
||||
]
|
||||
|
||||
[[package]]
|
||||
name = "ppv-lite86"
|
||||
version = "0.2.17"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "5b40af805b3121feab8a3c29f04d8ad262fa8e0561883e7653e024ae4479e6de"
|
||||
|
||||
[[package]]
|
||||
name = "rand"
|
||||
version = "0.8.5"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "34af8d1a0e25924bc5b7c43c079c942339d8f0a8b57c39049bef581b46327404"
|
||||
dependencies = [
|
||||
"libc",
|
||||
"rand_chacha",
|
||||
"rand_core",
|
||||
]
|
||||
|
||||
[[package]]
|
||||
name = "rand_chacha"
|
||||
version = "0.3.1"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "e6c10a63a0fa32252be49d21e7709d4d4baf8d231c2dbce1eaa8141b9b127d88"
|
||||
dependencies = [
|
||||
"ppv-lite86",
|
||||
"rand_core",
|
||||
]
|
||||
|
||||
[[package]]
|
||||
name = "rand_core"
|
||||
version = "0.6.4"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "ec0be4795e2f6a28069bec0b5ff3e2ac9bafc99e6a9a7dc3547996c5c816922c"
|
||||
dependencies = [
|
||||
"getrandom",
|
||||
]
|
||||
|
||||
[[package]]
|
||||
name = "wasi"
|
||||
version = "0.11.0+wasi-snapshot-preview1"
|
||||
source = "registry+https://github.com/rust-lang/crates.io-index"
|
||||
checksum = "9c8d87e72b64a3b4db28d11ce29237c246188f4f51057d65a7eab63b7987e423"
|
19
Cargo.toml
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19
Cargo.toml
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@ -0,0 +1,19 @@
|
|||
[package]
|
||||
name = "liff"
|
||||
version = "1.0.0"
|
||||
edition = "2021"
|
||||
|
||||
[[bin]]
|
||||
name = "42"
|
||||
path = "src/main.rs"
|
||||
|
||||
# See more keys and their definitions at https://doc.rust-lang.org/cargo/reference/manifest.html
|
||||
|
||||
[dependencies]
|
||||
rand = "0.8"
|
||||
|
||||
[profile.release]
|
||||
codegen-units = 1
|
||||
strip = true
|
||||
lto = true
|
||||
panic = "abort"
|
675
LICENSE
Normal file
675
LICENSE
Normal file
|
@ -0,0 +1,675 @@
|
|||
### GNU GENERAL PUBLIC LICENSE
|
||||
|
||||
Version 3, 29 June 2007
|
||||
|
||||
Copyright (C) 2007 Free Software Foundation, Inc.
|
||||
<https://fsf.org/>
|
||||
|
||||
Everyone is permitted to copy and distribute verbatim copies of this
|
||||
license document, but changing it is not allowed.
|
||||
|
||||
### Preamble
|
||||
|
||||
The GNU General Public License is a free, copyleft license for
|
||||
software and other kinds of works.
|
||||
|
||||
The licenses for most software and other practical works are designed
|
||||
to take away your freedom to share and change the works. By contrast,
|
||||
the GNU General Public License is intended to guarantee your freedom
|
||||
to share and change all versions of a program--to make sure it remains
|
||||
free software for all its users. We, the Free Software Foundation, use
|
||||
the GNU General Public License for most of our software; it applies
|
||||
also to any other work released this way by its authors. You can apply
|
||||
it to your programs, too.
|
||||
|
||||
When we speak of free software, we are referring to freedom, not
|
||||
price. Our General Public Licenses are designed to make sure that you
|
||||
have the freedom to distribute copies of free software (and charge for
|
||||
them if you wish), that you receive source code or can get it if you
|
||||
want it, that you can change the software or use pieces of it in new
|
||||
free programs, and that you know you can do these things.
|
||||
|
||||
To protect your rights, we need to prevent others from denying you
|
||||
these rights or asking you to surrender the rights. Therefore, you
|
||||
have certain responsibilities if you distribute copies of the
|
||||
software, or if you modify it: responsibilities to respect the freedom
|
||||
of others.
|
||||
|
||||
For example, if you distribute copies of such a program, whether
|
||||
gratis or for a fee, you must pass on to the recipients the same
|
||||
freedoms that you received. You must make sure that they, too, receive
|
||||
or can get the source code. And you must show them these terms so they
|
||||
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|
||||
|
||||
Developers that use the GNU GPL protect your rights with two steps:
|
||||
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|
||||
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||||
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||||
For the developers' and authors' protection, the GPL clearly explains
|
||||
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authors' sake, the GPL requires that modified versions be marked as
|
||||
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|
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authors of previous versions.
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||||
|
||||
Some devices are designed to deny users access to install or run
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aim of protecting users' freedom to change the software. The
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systematic pattern of such abuse occurs in the area of products for
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|
||||
Therefore, we have designed this version of the GPL to prohibit the
|
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|
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|
||||
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|
||||
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||||
|
||||
Finally, every program is threatened constantly by software patents.
|
||||
States should not allow patents to restrict development and use of
|
||||
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|
||||
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|
||||
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|
||||
|
||||
The precise terms and conditions for copying, distribution and
|
||||
modification follow.
|
||||
|
||||
### TERMS AND CONDITIONS
|
||||
|
||||
#### 0. Definitions.
|
||||
|
||||
"This License" refers to version 3 of the GNU General Public License.
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|
||||
"Copyright" also means copyright-like laws that apply to other kinds
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"The Program" refers to any copyrightable work licensed under this
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To "modify" a work means to copy from or adapt all or part of the work
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A "covered work" means either the unmodified Program or a work based
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To "propagate" a work means to do anything with it that, without
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permission, would make you directly or secondarily liable for
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distribution (with or without modification), making available to the
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To "convey" a work means any kind of propagation that enables other
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||||
An interactive user interface displays "Appropriate Legal Notices" to
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#### 1. Source Code.
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||||
The "source code" for a work means the preferred form of the work for
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making modifications to it. "Object code" means any non-source form of
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A "Standard Interface" means an interface that either is an official
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is widely used among developers working in that language.
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The "System Libraries" of an executable work include anything, other
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than the work as a whole, that (a) is included in the normal form of
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Component, and (b) serves only to enable use of the work with that
|
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Major Component, or to implement a Standard Interface for which an
|
||||
implementation is available to the public in source code form. A
|
||||
"Major Component", in this context, means a major essential component
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(kernel, window system, and so on) of the specific operating system
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(if any) on which the executable work runs, or a compiler used to
|
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produce the work, or an object code interpreter used to run it.
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The "Corresponding Source" for a work in object code form means all
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the source code needed to generate, install, and (for an executable
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work) run the object code and to modify the work, including scripts to
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System Libraries, or general-purpose tools or generally available free
|
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programs which are used unmodified in performing those activities but
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||||
which are not part of the work. For example, Corresponding Source
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includes interface definition files associated with source files for
|
||||
the work, and the source code for shared libraries and dynamically
|
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linked subprograms that the work is specifically designed to require,
|
||||
such as by intimate data communication or control flow between those
|
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||||
|
||||
The Corresponding Source need not include anything that users can
|
||||
regenerate automatically from other parts of the Corresponding Source.
|
||||
|
||||
The Corresponding Source for a work in source code form is that same
|
||||
work.
|
||||
|
||||
#### 2. Basic Permissions.
|
||||
|
||||
All rights granted under this License are granted for the term of
|
||||
copyright on the Program, and are irrevocable provided the stated
|
||||
conditions are met. This License explicitly affirms your unlimited
|
||||
permission to run the unmodified Program. The output from running a
|
||||
covered work is covered by this License only if the output, given its
|
||||
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|
||||
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||||
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||||
You may make, run and propagate covered works that you do not convey,
|
||||
without conditions so long as your license otherwise remains in force.
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You may convey covered works to others for the sole purpose of having
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||||
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||||
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|
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||||
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||||
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|
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||||
|
||||
Conveying under any other circumstances is permitted solely under the
|
||||
conditions stated below. Sublicensing is not allowed; section 10 makes
|
||||
it unnecessary.
|
||||
|
||||
#### 3. Protecting Users' Legal Rights From Anti-Circumvention Law.
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No covered work shall be deemed part of an effective technological
|
||||
measure under any applicable law fulfilling obligations under article
|
||||
11 of the WIPO copyright treaty adopted on 20 December 1996, or
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similar laws prohibiting or restricting circumvention of such
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measures.
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|
||||
When you convey a covered work, you waive any legal power to forbid
|
||||
circumvention of technological measures to the extent such
|
||||
circumvention is effected by exercising rights under this License with
|
||||
respect to the covered work, and you disclaim any intention to limit
|
||||
operation or modification of the work as a means of enforcing, against
|
||||
the work's users, your or third parties' legal rights to forbid
|
||||
circumvention of technological measures.
|
||||
|
||||
#### 4. Conveying Verbatim Copies.
|
||||
|
||||
You may convey verbatim copies of the Program's source code as you
|
||||
receive it, in any medium, provided that you conspicuously and
|
||||
appropriately publish on each copy an appropriate copyright notice;
|
||||
keep intact all notices stating that this License and any
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non-permissive terms added in accord with section 7 apply to the code;
|
||||
keep intact all notices of the absence of any warranty; and give all
|
||||
recipients a copy of this License along with the Program.
|
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|
||||
You may charge any price or no price for each copy that you convey,
|
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and you may offer support or warranty protection for a fee.
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#### 5. Conveying Modified Source Versions.
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|
||||
You may convey a work based on the Program, or the modifications to
|
||||
produce it from the Program, in the form of source code under the
|
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terms of section 4, provided that you also meet all of these
|
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|
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|
||||
- a) The work must carry prominent notices stating that you modified
|
||||
it, and giving a relevant date.
|
||||
- b) The work must carry prominent notices stating that it is
|
||||
released under this License and any conditions added under
|
||||
section 7. This requirement modifies the requirement in section 4
|
||||
to "keep intact all notices".
|
||||
- c) You must license the entire work, as a whole, under this
|
||||
License to anyone who comes into possession of a copy. This
|
||||
License will therefore apply, along with any applicable section 7
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||||
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|
||||
regardless of how they are packaged. This License gives no
|
||||
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|
||||
invalidate such permission if you have separately received it.
|
||||
- d) If the work has interactive user interfaces, each must display
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Appropriate Legal Notices; however, if the Program has interactive
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A compilation of a covered work with other separate and independent
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||||
in or on a volume of a storage or distribution medium, is called an
|
||||
"aggregate" if the compilation and its resulting copyright are not
|
||||
used to limit the access or legal rights of the compilation's users
|
||||
beyond what the individual works permit. Inclusion of a covered work
|
||||
in an aggregate does not cause this License to apply to the other
|
||||
parts of the aggregate.
|
||||
|
||||
#### 6. Conveying Non-Source Forms.
|
||||
|
||||
You may convey a covered work in object code form under the terms of
|
||||
sections 4 and 5, provided that you also convey the machine-readable
|
||||
Corresponding Source under the terms of this License, in one of these
|
||||
ways:
|
||||
|
||||
- a) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by the
|
||||
Corresponding Source fixed on a durable physical medium
|
||||
customarily used for software interchange.
|
||||
- b) Convey the object code in, or embodied in, a physical product
|
||||
(including a physical distribution medium), accompanied by a
|
||||
written offer, valid for at least three years and valid for as
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||||
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|
||||
model, to give anyone who possesses the object code either (1) a
|
||||
copy of the Corresponding Source for all the software in the
|
||||
product that is covered by this License, on a durable physical
|
||||
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|
||||
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conveying of source, or (2) access to copy the Corresponding
|
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|
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- c) Convey individual copies of the object code with a copy of the
|
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|
||||
alternative is allowed only occasionally and noncommercially, and
|
||||
only if you received the object code with such an offer, in accord
|
||||
with subsection 6b.
|
||||
- d) Convey the object code by offering access from a designated
|
||||
place (gratis or for a charge), and offer equivalent access to the
|
||||
Corresponding Source in the same way through the same place at no
|
||||
further charge. You need not require recipients to copy the
|
||||
Corresponding Source along with the object code. If the place to
|
||||
copy the object code is a network server, the Corresponding Source
|
||||
may be on a different server (operated by you or a third party)
|
||||
that supports equivalent copying facilities, provided you maintain
|
||||
clear directions next to the object code saying where to find the
|
||||
Corresponding Source. Regardless of what server hosts the
|
||||
Corresponding Source, you remain obligated to ensure that it is
|
||||
available for as long as needed to satisfy these requirements.
|
||||
- e) Convey the object code using peer-to-peer transmission,
|
||||
provided you inform other peers where the object code and
|
||||
Corresponding Source of the work are being offered to the general
|
||||
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||||
|
||||
A separable portion of the object code, whose source code is excluded
|
||||
from the Corresponding Source as a System Library, need not be
|
||||
included in conveying the object code work.
|
||||
|
||||
A "User Product" is either (1) a "consumer product", which means any
|
||||
tangible personal property which is normally used for personal,
|
||||
family, or household purposes, or (2) anything designed or sold for
|
||||
incorporation into a dwelling. In determining whether a product is a
|
||||
consumer product, doubtful cases shall be resolved in favor of
|
||||
coverage. For a particular product received by a particular user,
|
||||
"normally used" refers to a typical or common use of that class of
|
||||
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|
||||
in which the particular user actually uses, or expects or is expected
|
||||
to use, the product. A product is a consumer product regardless of
|
||||
whether the product has substantial commercial, industrial or
|
||||
non-consumer uses, unless such uses represent the only significant
|
||||
mode of use of the product.
|
||||
|
||||
"Installation Information" for a User Product means any methods,
|
||||
procedures, authorization keys, or other information required to
|
||||
install and execute modified versions of a covered work in that User
|
||||
Product from a modified version of its Corresponding Source. The
|
||||
information must suffice to ensure that the continued functioning of
|
||||
the modified object code is in no case prevented or interfered with
|
||||
solely because modification has been made.
|
||||
|
||||
If you convey an object code work under this section in, or with, or
|
||||
specifically for use in, a User Product, and the conveying occurs as
|
||||
part of a transaction in which the right of possession and use of the
|
||||
User Product is transferred to the recipient in perpetuity or for a
|
||||
fixed term (regardless of how the transaction is characterized), the
|
||||
Corresponding Source conveyed under this section must be accompanied
|
||||
by the Installation Information. But this requirement does not apply
|
||||
if neither you nor any third party retains the ability to install
|
||||
modified object code on the User Product (for example, the work has
|
||||
been installed in ROM).
|
||||
|
||||
The requirement to provide Installation Information does not include a
|
||||
requirement to continue to provide support service, warranty, or
|
||||
updates for a work that has been modified or installed by the
|
||||
recipient, or for the User Product in which it has been modified or
|
||||
installed. Access to a network may be denied when the modification
|
||||
itself materially and adversely affects the operation of the network
|
||||
or violates the rules and protocols for communication across the
|
||||
network.
|
||||
|
||||
Corresponding Source conveyed, and Installation Information provided,
|
||||
in accord with this section must be in a format that is publicly
|
||||
documented (and with an implementation available to the public in
|
||||
source code form), and must require no special password or key for
|
||||
unpacking, reading or copying.
|
||||
|
||||
#### 7. Additional Terms.
|
||||
|
||||
"Additional permissions" are terms that supplement the terms of this
|
||||
License by making exceptions from one or more of its conditions.
|
||||
Additional permissions that are applicable to the entire Program shall
|
||||
be treated as though they were included in this License, to the extent
|
||||
that they are valid under applicable law. If additional permissions
|
||||
apply only to part of the Program, that part may be used separately
|
||||
under those permissions, but the entire Program remains governed by
|
||||
this License without regard to the additional permissions.
|
||||
|
||||
When you convey a copy of a covered work, you may at your option
|
||||
remove any additional permissions from that copy, or from any part of
|
||||
it. (Additional permissions may be written to require their own
|
||||
removal in certain cases when you modify the work.) You may place
|
||||
additional permissions on material, added by you to a covered work,
|
||||
for which you have or can give appropriate copyright permission.
|
||||
|
||||
Notwithstanding any other provision of this License, for material you
|
||||
add to a covered work, you may (if authorized by the copyright holders
|
||||
of that material) supplement the terms of this License with terms:
|
||||
|
||||
- a) Disclaiming warranty or limiting liability differently from the
|
||||
terms of sections 15 and 16 of this License; or
|
||||
- b) Requiring preservation of specified reasonable legal notices or
|
||||
author attributions in that material or in the Appropriate Legal
|
||||
Notices displayed by works containing it; or
|
||||
- c) Prohibiting misrepresentation of the origin of that material,
|
||||
or requiring that modified versions of such material be marked in
|
||||
reasonable ways as different from the original version; or
|
||||
- d) Limiting the use for publicity purposes of names of licensors
|
||||
or authors of the material; or
|
||||
- e) Declining to grant rights under trademark law for use of some
|
||||
trade names, trademarks, or service marks; or
|
||||
- f) Requiring indemnification of licensors and authors of that
|
||||
material by anyone who conveys the material (or modified versions
|
||||
of it) with contractual assumptions of liability to the recipient,
|
||||
for any liability that these contractual assumptions directly
|
||||
impose on those licensors and authors.
|
||||
|
||||
All other non-permissive additional terms are considered "further
|
||||
restrictions" within the meaning of section 10. If the Program as you
|
||||
received it, or any part of it, contains a notice stating that it is
|
||||
governed by this License along with a term that is a further
|
||||
restriction, you may remove that term. If a license document contains
|
||||
a further restriction but permits relicensing or conveying under this
|
||||
License, you may add to a covered work material governed by the terms
|
||||
of that license document, provided that the further restriction does
|
||||
not survive such relicensing or conveying.
|
||||
|
||||
If you add terms to a covered work in accord with this section, you
|
||||
must place, in the relevant source files, a statement of the
|
||||
additional terms that apply to those files, or a notice indicating
|
||||
where to find the applicable terms.
|
||||
|
||||
Additional terms, permissive or non-permissive, may be stated in the
|
||||
form of a separately written license, or stated as exceptions; the
|
||||
above requirements apply either way.
|
||||
|
||||
#### 8. Termination.
|
||||
|
||||
You may not propagate or modify a covered work except as expressly
|
||||
provided under this License. Any attempt otherwise to propagate or
|
||||
modify it is void, and will automatically terminate your rights under
|
||||
this License (including any patent licenses granted under the third
|
||||
paragraph of section 11).
|
||||
|
||||
However, if you cease all violation of this License, then your license
|
||||
from a particular copyright holder is reinstated (a) provisionally,
|
||||
unless and until the copyright holder explicitly and finally
|
||||
terminates your license, and (b) permanently, if the copyright holder
|
||||
fails to notify you of the violation by some reasonable means prior to
|
||||
60 days after the cessation.
|
||||
|
||||
Moreover, your license from a particular copyright holder is
|
||||
reinstated permanently if the copyright holder notifies you of the
|
||||
violation by some reasonable means, this is the first time you have
|
||||
received notice of violation of this License (for any work) from that
|
||||
copyright holder, and you cure the violation prior to 30 days after
|
||||
your receipt of the notice.
|
||||
|
||||
Termination of your rights under this section does not terminate the
|
||||
licenses of parties who have received copies or rights from you under
|
||||
this License. If your rights have been terminated and not permanently
|
||||
reinstated, you do not qualify to receive new licenses for the same
|
||||
material under section 10.
|
||||
|
||||
#### 9. Acceptance Not Required for Having Copies.
|
||||
|
||||
You are not required to accept this License in order to receive or run
|
||||
a copy of the Program. Ancillary propagation of a covered work
|
||||
occurring solely as a consequence of using peer-to-peer transmission
|
||||
to receive a copy likewise does not require acceptance. However,
|
||||
nothing other than this License grants you permission to propagate or
|
||||
modify any covered work. These actions infringe copyright if you do
|
||||
not accept this License. Therefore, by modifying or propagating a
|
||||
covered work, you indicate your acceptance of this License to do so.
|
||||
|
||||
#### 10. Automatic Licensing of Downstream Recipients.
|
||||
|
||||
Each time you convey a covered work, the recipient automatically
|
||||
receives a license from the original licensors, to run, modify and
|
||||
propagate that work, subject to this License. You are not responsible
|
||||
for enforcing compliance by third parties with this License.
|
||||
|
||||
An "entity transaction" is a transaction transferring control of an
|
||||
organization, or substantially all assets of one, or subdividing an
|
||||
organization, or merging organizations. If propagation of a covered
|
||||
work results from an entity transaction, each party to that
|
||||
transaction who receives a copy of the work also receives whatever
|
||||
licenses to the work the party's predecessor in interest had or could
|
||||
give under the previous paragraph, plus a right to possession of the
|
||||
Corresponding Source of the work from the predecessor in interest, if
|
||||
the predecessor has it or can get it with reasonable efforts.
|
||||
|
||||
You may not impose any further restrictions on the exercise of the
|
||||
rights granted or affirmed under this License. For example, you may
|
||||
not impose a license fee, royalty, or other charge for exercise of
|
||||
rights granted under this License, and you may not initiate litigation
|
||||
(including a cross-claim or counterclaim in a lawsuit) alleging that
|
||||
any patent claim is infringed by making, using, selling, offering for
|
||||
sale, or importing the Program or any portion of it.
|
||||
|
||||
#### 11. Patents.
|
||||
|
||||
A "contributor" is a copyright holder who authorizes use under this
|
||||
License of the Program or a work on which the Program is based. The
|
||||
work thus licensed is called the contributor's "contributor version".
|
||||
|
||||
A contributor's "essential patent claims" are all patent claims owned
|
||||
or controlled by the contributor, whether already acquired or
|
||||
hereafter acquired, that would be infringed by some manner, permitted
|
||||
by this License, of making, using, or selling its contributor version,
|
||||
but do not include claims that would be infringed only as a
|
||||
consequence of further modification of the contributor version. For
|
||||
purposes of this definition, "control" includes the right to grant
|
||||
patent sublicenses in a manner consistent with the requirements of
|
||||
this License.
|
||||
|
||||
Each contributor grants you a non-exclusive, worldwide, royalty-free
|
||||
patent license under the contributor's essential patent claims, to
|
||||
make, use, sell, offer for sale, import and otherwise run, modify and
|
||||
propagate the contents of its contributor version.
|
||||
|
||||
In the following three paragraphs, a "patent license" is any express
|
||||
agreement or commitment, however denominated, not to enforce a patent
|
||||
(such as an express permission to practice a patent or covenant not to
|
||||
sue for patent infringement). To "grant" such a patent license to a
|
||||
party means to make such an agreement or commitment not to enforce a
|
||||
patent against the party.
|
||||
|
||||
If you convey a covered work, knowingly relying on a patent license,
|
||||
and the Corresponding Source of the work is not available for anyone
|
||||
to copy, free of charge and under the terms of this License, through a
|
||||
publicly available network server or other readily accessible means,
|
||||
then you must either (1) cause the Corresponding Source to be so
|
||||
available, or (2) arrange to deprive yourself of the benefit of the
|
||||
patent license for this particular work, or (3) arrange, in a manner
|
||||
consistent with the requirements of this License, to extend the patent
|
||||
license to downstream recipients. "Knowingly relying" means you have
|
||||
actual knowledge that, but for the patent license, your conveying the
|
||||
covered work in a country, or your recipient's use of the covered work
|
||||
in a country, would infringe one or more identifiable patents in that
|
||||
country that you have reason to believe are valid.
|
||||
|
||||
If, pursuant to or in connection with a single transaction or
|
||||
arrangement, you convey, or propagate by procuring conveyance of, a
|
||||
covered work, and grant a patent license to some of the parties
|
||||
receiving the covered work authorizing them to use, propagate, modify
|
||||
or convey a specific copy of the covered work, then the patent license
|
||||
you grant is automatically extended to all recipients of the covered
|
||||
work and works based on it.
|
||||
|
||||
A patent license is "discriminatory" if it does not include within the
|
||||
scope of its coverage, prohibits the exercise of, or is conditioned on
|
||||
the non-exercise of one or more of the rights that are specifically
|
||||
granted under this License. You may not convey a covered work if you
|
||||
are a party to an arrangement with a third party that is in the
|
||||
business of distributing software, under which you make payment to the
|
||||
third party based on the extent of your activity of conveying the
|
||||
work, and under which the third party grants, to any of the parties
|
||||
who would receive the covered work from you, a discriminatory patent
|
||||
license (a) in connection with copies of the covered work conveyed by
|
||||
you (or copies made from those copies), or (b) primarily for and in
|
||||
connection with specific products or compilations that contain the
|
||||
covered work, unless you entered into that arrangement, or that patent
|
||||
license was granted, prior to 28 March 2007.
|
||||
|
||||
Nothing in this License shall be construed as excluding or limiting
|
||||
any implied license or other defenses to infringement that may
|
||||
otherwise be available to you under applicable patent law.
|
||||
|
||||
#### 12. No Surrender of Others' Freedom.
|
||||
|
||||
If conditions are imposed on you (whether by court order, agreement or
|
||||
otherwise) that contradict the conditions of this License, they do not
|
||||
excuse you from the conditions of this License. If you cannot convey a
|
||||
covered work so as to satisfy simultaneously your obligations under
|
||||
this License and any other pertinent obligations, then as a
|
||||
consequence you may not convey it at all. For example, if you agree to
|
||||
terms that obligate you to collect a royalty for further conveying
|
||||
from those to whom you convey the Program, the only way you could
|
||||
satisfy both those terms and this License would be to refrain entirely
|
||||
from conveying the Program.
|
||||
|
||||
#### 13. Use with the GNU Affero General Public License.
|
||||
|
||||
Notwithstanding any other provision of this License, you have
|
||||
permission to link or combine any covered work with a work licensed
|
||||
under version 3 of the GNU Affero General Public License into a single
|
||||
combined work, and to convey the resulting work. The terms of this
|
||||
License will continue to apply to the part which is the covered work,
|
||||
but the special requirements of the GNU Affero General Public License,
|
||||
section 13, concerning interaction through a network will apply to the
|
||||
combination as such.
|
||||
|
||||
#### 14. Revised Versions of this License.
|
||||
|
||||
The Free Software Foundation may publish revised and/or new versions
|
||||
of the GNU General Public License from time to time. Such new versions
|
||||
will be similar in spirit to the present version, but may differ in
|
||||
detail to address new problems or concerns.
|
||||
|
||||
Each version is given a distinguishing version number. If the Program
|
||||
specifies that a certain numbered version of the GNU General Public
|
||||
License "or any later version" applies to it, you have the option of
|
||||
following the terms and conditions either of that numbered version or
|
||||
of any later version published by the Free Software Foundation. If the
|
||||
Program does not specify a version number of the GNU General Public
|
||||
License, you may choose any version ever published by the Free
|
||||
Software Foundation.
|
||||
|
||||
If the Program specifies that a proxy can decide which future versions
|
||||
of the GNU General Public License can be used, that proxy's public
|
||||
statement of acceptance of a version permanently authorizes you to
|
||||
choose that version for the Program.
|
||||
|
||||
Later license versions may give you additional or different
|
||||
permissions. However, no additional obligations are imposed on any
|
||||
author or copyright holder as a result of your choosing to follow a
|
||||
later version.
|
||||
|
||||
#### 15. Disclaimer of Warranty.
|
||||
|
||||
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
|
||||
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
|
||||
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT
|
||||
WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT
|
||||
LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
|
||||
A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND
|
||||
PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE
|
||||
DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR
|
||||
CORRECTION.
|
||||
|
||||
#### 16. Limitation of Liability.
|
||||
|
||||
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
|
||||
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR
|
||||
CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
|
||||
INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES
|
||||
ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT
|
||||
NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR
|
||||
LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM
|
||||
TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER
|
||||
PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
|
||||
|
||||
#### 17. Interpretation of Sections 15 and 16.
|
||||
|
||||
If the disclaimer of warranty and limitation of liability provided
|
||||
above cannot be given local legal effect according to their terms,
|
||||
reviewing courts shall apply local law that most closely approximates
|
||||
an absolute waiver of all civil liability in connection with the
|
||||
Program, unless a warranty or assumption of liability accompanies a
|
||||
copy of the Program in return for a fee.
|
||||
|
||||
END OF TERMS AND CONDITIONS
|
||||
|
||||
### How to Apply These Terms to Your New Programs
|
||||
|
||||
If you develop a new program, and you want it to be of the greatest
|
||||
possible use to the public, the best way to achieve this is to make it
|
||||
free software which everyone can redistribute and change under these
|
||||
terms.
|
||||
|
||||
To do so, attach the following notices to the program. It is safest to
|
||||
attach them to the start of each source file to most effectively state
|
||||
the exclusion of warranty; and each file should have at least the
|
||||
"copyright" line and a pointer to where the full notice is found.
|
||||
|
||||
<one line to give the program's name and a brief idea of what it does.>
|
||||
Copyright (C) <year> <name of author>
|
||||
|
||||
This program is free software: you can redistribute it and/or modify
|
||||
it under the terms of the GNU General Public License as published by
|
||||
the Free Software Foundation, either version 3 of the License, or
|
||||
(at your option) any later version.
|
||||
|
||||
This program is distributed in the hope that it will be useful,
|
||||
but WITHOUT ANY WARRANTY; without even the implied warranty of
|
||||
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
|
||||
GNU General Public License for more details.
|
||||
|
||||
You should have received a copy of the GNU General Public License
|
||||
along with this program. If not, see <https://www.gnu.org/licenses/>.
|
||||
|
||||
Also add information on how to contact you by electronic and paper
|
||||
mail.
|
||||
|
||||
If the program does terminal interaction, make it output a short
|
||||
notice like this when it starts in an interactive mode:
|
||||
|
||||
<program> Copyright (C) <year> <name of author>
|
||||
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
|
||||
This is free software, and you are welcome to redistribute it
|
||||
under certain conditions; type `show c' for details.
|
||||
|
||||
The hypothetical commands \`show w' and \`show c' should show the
|
||||
appropriate parts of the General Public License. Of course, your
|
||||
program's commands might be different; for a GUI interface, you would
|
||||
use an "about box".
|
||||
|
||||
You should also get your employer (if you work as a programmer) or
|
||||
school, if any, to sign a "copyright disclaimer" for the program, if
|
||||
necessary. For more information on this, and how to apply and follow
|
||||
the GNU GPL, see <https://www.gnu.org/licenses/>.
|
||||
|
||||
The GNU General Public License does not permit incorporating your
|
||||
program into proprietary programs. If your program is a subroutine
|
||||
library, you may consider it more useful to permit linking proprietary
|
||||
applications with the library. If this is what you want to do, use the
|
||||
GNU Lesser General Public License instead of this License. But first,
|
||||
please read <https://www.gnu.org/licenses/why-not-lgpl.html>.
|
44
Makefile
Normal file
44
Makefile
Normal file
|
@ -0,0 +1,44 @@
|
|||
# Adjust the following per your installation preferences.
|
||||
# NOTE: if you change $(PKG_DATADIR) then you must change the DATADIR contant in
|
||||
# src/main.rs to match, as this directory is hardcoded at compile time.
|
||||
PREFIX = /usr
|
||||
BINDIR = $(DESTDIR)$(PREFIX)/bin
|
||||
DATADIR = $(DESTDIR)$(PREFIX)/share
|
||||
PKG_DATADIR = $(DATADIR)/42
|
||||
MAN1DIR = $(DATADIR)/man/man1
|
||||
MAN4DIR = $(DATADIR)/man/man4
|
||||
# Don't change anything below here unless you know what you're doing
|
||||
|
||||
VPATH += src
|
||||
VPATH += man
|
||||
VPATH += target/release
|
||||
INSTALLDIRS = $(BINDIR) $(PKG_DATADIR) $(MAN1DIR) $(MAN4DIR)
|
||||
|
||||
all: 42
|
||||
|
||||
42: main.rs Cargo.toml
|
||||
cargo build --release
|
||||
|
||||
install: install-bin install-data install-man
|
||||
|
||||
install-bin: 42 | $(BINDIR)
|
||||
install $< $(BINDIR)/
|
||||
|
||||
install-data: | $(PKG_DATADIR)
|
||||
install -m644 data/* $(PKG_DATADIR)/
|
||||
|
||||
install-man: 42.1 man.4 | $(MAN1DIR) $(MAN4DIR)
|
||||
install -m644 man/42.1 $(MAN1DIR)/
|
||||
install -m644 man/man.4 $(MAN4DIR)/
|
||||
|
||||
$(INSTALLDIRS):
|
||||
install -d $@
|
||||
|
||||
clean:
|
||||
cargo clean
|
||||
|
||||
uninstall:
|
||||
rm -rf $(BINDIR)/42 $(PKG_DATADIR)/* $(MAN1DIR)/42.1 $(MAN4DIR)/man.4
|
||||
|
||||
.PHONY: all clean install install-bin install-data install-man uninstall
|
||||
|
25
README.md
Normal file
25
README.md
Normal file
|
@ -0,0 +1,25 @@
|
|||
## Description
|
||||
**42** is a silly little utility similar in nature to the Unix *fortune* command
|
||||
of old, if it was much simpler and only provided Douglas Adams quotes primarily
|
||||
from the HitchHiker's guide.
|
||||
## History
|
||||
The original 42 was written in C for [HitchHiker Linux](https://hitchhiker-linux.org)
|
||||
back when I was first learning how to program in that language. This rewrite in
|
||||
Rust preserves much of the simplicity of the original while being more robust and
|
||||
providing more flexibility in where it's data files are stored.
|
||||
## Installation
|
||||
To build *42* you will need a Rust toolchain. The only explicit dependency besides
|
||||
`std` is the `rand` crate, and the code is simple without much reliance on bleeding
|
||||
edge features, so there should be some flexibility in what version of Rust is
|
||||
used. The included `Makefile` wraps the commands used and will install the data
|
||||
files and Unix man pages into the proper locations. Should you wish to package
|
||||
this little gem for your own distro (I'm not sure why, but maybe you would?) then
|
||||
all of the files can be installed into a destdir by passing the `DESTDIR` environment
|
||||
variable to `make install`.
|
||||
```SH
|
||||
make && make install
|
||||
```
|
||||
## Usage
|
||||
Most commonly you would call this program from your shell startup files by adding
|
||||
`42 &` to `~/.bashrc` or `~/.zshrc`, or whatever file your shell happens to use.
|
||||
This will give you a DA quote every time you log in or open a new terminal window.
|
6
data/001
Normal file
6
data/001
Normal file
|
@ -0,0 +1,6 @@
|
|||
There is a theory which states that if ever anyone discovers exactly
|
||||
what the Universe is for and why it is here, it will instantly disappear
|
||||
and be replaced by something even more bizarre and inexplicable. There
|
||||
is another theory which states that this has already happened.
|
||||
|
||||
- The Book
|
6
data/002
Normal file
6
data/002
Normal file
|
@ -0,0 +1,6 @@
|
|||
Many were increasingly of the opinion that they’d all made a big mistake
|
||||
in coming down from the trees in the first place. And some said that
|
||||
even the trees had been a bad move, and that no one should ever have
|
||||
left the oceans.
|
||||
|
||||
- The Book
|
5
data/003
Normal file
5
data/003
Normal file
|
@ -0,0 +1,5 @@
|
|||
`My doctor says that I have a malformed public-duty gland and a natural
|
||||
deficiency in moral fibre,' Ford muttered to himself, `and that I am
|
||||
therefore excused from saving Universes.'
|
||||
|
||||
- Ford the reluctant hero
|
3
data/004
Normal file
3
data/004
Normal file
|
@ -0,0 +1,3 @@
|
|||
The ships hung in the sky in much the same way that bricks don’t.
|
||||
|
||||
- The Book on the appearance of the Vogon Constructor Fleet
|
10
data/005
Normal file
10
data/005
Normal file
|
@ -0,0 +1,10 @@
|
|||
`You know,' said Arthur, `it's at times like this, when I'm trapped in a
|
||||
Vogon airlock with a man from Betelgeuse, and about to die from
|
||||
asphyxiation in deep space that I really wish I'd listened to what my
|
||||
mother told me when I was young.'
|
||||
|
||||
`Why, what did she tell you?'
|
||||
|
||||
`I don't know, I didn't listen.'
|
||||
|
||||
- Arthur coping with certain death as best as he could.
|
6
data/006
Normal file
6
data/006
Normal file
|
@ -0,0 +1,6 @@
|
|||
`Space,' it says, `is big. Really big. You just won’t believe how
|
||||
vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a
|
||||
long way down the road to the chemist’s, but that’s just peanuts to
|
||||
space.'
|
||||
|
||||
- The Book giving perspective
|
4
data/007
Normal file
4
data/007
Normal file
|
@ -0,0 +1,4 @@
|
|||
`Funny,' he intoned funereally, `how just when you think life can’t
|
||||
possibly get any worse it suddenly does.'
|
||||
|
||||
- Arthur philosophizing
|
2
data/008
Normal file
2
data/008
Normal file
|
@ -0,0 +1,2 @@
|
|||
Isn’t it enough to see that a garden is beautiful without having to
|
||||
believe that there are fairies at the bottom of it too?
|
3
data/009
Normal file
3
data/009
Normal file
|
@ -0,0 +1,3 @@
|
|||
A common mistake that people make when trying to design something
|
||||
completely foolproof is to underestimate the ingenuity of complete
|
||||
fools.
|
4
data/010
Normal file
4
data/010
Normal file
|
@ -0,0 +1,4 @@
|
|||
Curiously enough, the only thing that went through the mind of the bowl
|
||||
of petunias as it fell was Oh no, not again. Many people have speculated
|
||||
that if we knew exactly why the bowl of petunias had thought that we
|
||||
would know a lot more about the nature of the Universe than we do now.
|
4
data/011
Normal file
4
data/011
Normal file
|
@ -0,0 +1,4 @@
|
|||
The reason why it was published in the form of a micro sub meson
|
||||
electronic component is that if it were printed in normal book form, an
|
||||
interstellar hitchhiker would require several inconveniently large
|
||||
buildings to carry it around in.
|
6
data/012
Normal file
6
data/012
Normal file
|
@ -0,0 +1,6 @@
|
|||
For instance, on the planet Earth, man had always assumed that he was
|
||||
more intelligent than dolphins because he had achieved so much — the
|
||||
wheel, New York, wars and so on — whilst all the dolphins had ever done
|
||||
was muck about in the water having a good time. But conversely, the
|
||||
dolphins had always believed that they were far more intelligent than
|
||||
man — for precisely the same reasons.
|
4
data/013
Normal file
4
data/013
Normal file
|
@ -0,0 +1,4 @@
|
|||
The last ever dolphin message was misinterpreted as a surprisingly
|
||||
sophisticated attempt to do a double-backwards-somersault through a hoop
|
||||
whilst whistling the ‘Star Spangled Banner’, but in fact the message was
|
||||
this: So long and thanks for all the fish.
|
5
data/014
Normal file
5
data/014
Normal file
|
@ -0,0 +1,5 @@
|
|||
The chances of finding out what’s really going on in the universe are so
|
||||
remote, the only thing to do is hang the sense of it and keep yourself
|
||||
occupied.
|
||||
|
||||
- Slarty Bartfarst sharing wisdom
|
2
data/015
Normal file
2
data/015
Normal file
|
@ -0,0 +1,2 @@
|
|||
`Listen, three eyes,' he said, `don’t you try to outweird me, I get
|
||||
stranger things than you free with my breakfast cereal.'
|
6
data/016
Normal file
6
data/016
Normal file
|
@ -0,0 +1,6 @@
|
|||
Not unnaturally, many elevators imbued with intelligence and
|
||||
precognition became terribly frustrated with the mindless business of
|
||||
going up and down, up and down, experimented briefly with the notion of
|
||||
going sideways, as a sort of existential protest, demanded participation
|
||||
in the decision-making process and finally took to squatting in
|
||||
basements sulking.
|
8
data/017
Normal file
8
data/017
Normal file
|
@ -0,0 +1,8 @@
|
|||
The Total Perspective Vortex derives its picture of the whole Universe
|
||||
on the principle of extrapolated matter analyses.To explain — since
|
||||
every piece of matter in the Universe is in some way affected by every
|
||||
other piece of matter in the Universe, it is in theory possible to
|
||||
extrapolate the whole of creation — every sun, every planet, their
|
||||
orbits, their composition and their economic and social history from,
|
||||
say, one small piece of fairy cake. The man who invented the Total
|
||||
Perspective Vortex did so basically in order to annoy his wife.
|
3
data/018
Normal file
3
data/018
Normal file
|
@ -0,0 +1,3 @@
|
|||
`Shee, you guys are so unhip it’s a wonder your bums don’t fall off.'
|
||||
|
||||
- Zaphod assessing his companions
|
9
data/019
Normal file
9
data/019
Normal file
|
@ -0,0 +1,9 @@
|
|||
It is known that there are an infinite number of worlds, simply because
|
||||
there is an infinite amount of space for them to be in. However, not
|
||||
every one of them is inhabited. Therefore, there must be a finite number
|
||||
of inhabited worlds. Any finite number divided by infinity is as near to
|
||||
nothing as makes no odds, so the average population of all the planets
|
||||
in the Universe can be said to be zero. From this it follows that the
|
||||
population of the whole Universe is also zero, and that any people you
|
||||
may meet from time to time are merely the products of a deranged
|
||||
imagination.
|
5
data/020
Normal file
5
data/020
Normal file
|
@ -0,0 +1,5 @@
|
|||
The disadvantages involved in pulling lots of black sticky slime from
|
||||
out of the ground where it had been safely hidden out of harm’s way,
|
||||
turning it into tar to cover the land with, smoke to fill the air with
|
||||
and pouring the rest into the sea, all seemed to outweigh the advantages
|
||||
of being able to get more quickly from one place to another.
|
6
data/021
Normal file
6
data/021
Normal file
|
@ -0,0 +1,6 @@
|
|||
Make it totally clear that this gun has a right end and a wrong end.
|
||||
Make it totally clear to anyone standing at the wrong end that things
|
||||
are going badly for them. If that means sticking all sort of spikes and
|
||||
prongs and blackened bits all over it then so be it. This is not a gun
|
||||
for hanging over the fireplace or sticking in the umbrella stand, it is
|
||||
a gun for going out and making people miserable with.
|
4
data/022
Normal file
4
data/022
Normal file
|
@ -0,0 +1,4 @@
|
|||
It is a well known fact that those people who most want to rule people
|
||||
are, ipso facto, those least suited to do it. To summarize the summary:
|
||||
anyone who is capable of getting themselves made President should on no
|
||||
account be allowed to do the job.
|
1
data/023
Normal file
1
data/023
Normal file
|
@ -0,0 +1 @@
|
|||
`Forty-two,' said Deep Thought, with infinite majesty and calm.
|
4
data/024
Normal file
4
data/024
Normal file
|
@ -0,0 +1,4 @@
|
|||
`Since we decided a few weeks ago to adopt the leaf as legal tender, we
|
||||
have, of course, all become immensely rich.'
|
||||
|
||||
- Golgafrincham logic
|
8
data/025
Normal file
8
data/025
Normal file
|
@ -0,0 +1,8 @@
|
|||
In the end, it was the Sunday afternoons he couldn’t cope with, and that
|
||||
terrible listlessness that starts to set in about 2:55, when you know
|
||||
you’ve taken all the baths that you can usefully take that day, that
|
||||
however hard you stare at any given paragraph in the newspaper you will
|
||||
never actually read it, or use the revolutionary new pruning technique
|
||||
it describes, and that as you stare at the clock the hands will move
|
||||
relentlessly on to four o’clock, and you will enter the long dark
|
||||
teatime of the soul.
|
3
data/026
Normal file
3
data/026
Normal file
|
@ -0,0 +1,3 @@
|
|||
He gazed keenly into the distance and looked as if he would quite like
|
||||
the wind to blow his hair back dramatically at that point, but the wind
|
||||
was busy fooling around with some leaves a little way off.
|
3
data/027
Normal file
3
data/027
Normal file
|
@ -0,0 +1,3 @@
|
|||
He was staring at the instruments with the air of one who is trying to
|
||||
convert Fahrenheit to centigrade in his head while his house is burning
|
||||
down.
|
2
data/028
Normal file
2
data/028
Normal file
|
@ -0,0 +1,2 @@
|
|||
There is a moment in every dawn when light floats, there is the
|
||||
possibility of magic. Creation holds its breath.
|
8
data/029
Normal file
8
data/029
Normal file
|
@ -0,0 +1,8 @@
|
|||
"You may not instantly see why I bring the subject up, but that is
|
||||
because my mind works so phenomenally fast, and I am at a rough estimate
|
||||
thirty billion times more intelligent than you. Let me give you an
|
||||
example. Think of a number, any number."
|
||||
|
||||
"Er, five," said the mattress.
|
||||
|
||||
"Wrong,” said Marvin. “You see?"
|
2
data/030
Normal file
2
data/030
Normal file
|
@ -0,0 +1,2 @@
|
|||
There is an art, it says, or rather, a knack to flying. The knack lies
|
||||
in learning how to throw yourself at the ground and miss.
|
2
data/031
Normal file
2
data/031
Normal file
|
@ -0,0 +1,2 @@
|
|||
It is a mistake to think you can solve any major problems just with
|
||||
potatoes.
|
6
data/032
Normal file
6
data/032
Normal file
|
@ -0,0 +1,6 @@
|
|||
He hoped and prayed that there wasn’t an afterlife. Then he realized
|
||||
there was a contradiction involved here and merely hoped that there
|
||||
wasn’t an afterlife.
|
||||
|
||||
- Arthur realising that he's in a certain death situation with a
|
||||
supernova bomb that is shaped like a cricket ball.
|
12
data/033
Normal file
12
data/033
Normal file
|
@ -0,0 +1,12 @@
|
|||
Eskimos had over two hundred different words for snow, without which
|
||||
their conversation would probably have got very monotonous. So they
|
||||
would distinguish between thin snow and thick snow, light snow and heavy
|
||||
snow, sludgy snow, brittle snow, snow that came in flurries, snow that
|
||||
came in drifts, snow that came in on the bottom of your neighbor’s boots
|
||||
all over your nice clean igloo floor, the snows of winter, the snows of
|
||||
spring, the snows you remember from your childhood that were so much
|
||||
better than any of your modern snow, fine snow, feathery snow, hill
|
||||
snow, valley snow, snow that falls in the morning, snow that falls at
|
||||
night, snow that falls all of a sudden just when you were going out
|
||||
fishing, and snow that despite all your efforts to train them, the
|
||||
huskies have pissed on.
|
6
data/034
Normal file
6
data/034
Normal file
|
@ -0,0 +1,6 @@
|
|||
The storm had now definitely abated, and what thunder there was now
|
||||
grumbled over more distant hills, like a man saying
|
||||
|
||||
"And anotherthing..."
|
||||
|
||||
twenty minutes after admitting he's lost the argument.
|
3
data/035
Normal file
3
data/035
Normal file
|
@ -0,0 +1,3 @@
|
|||
He was wrong to think he could now forget that the big, hard, oily,
|
||||
dirty, rainbow-hung Earth on which he lived was a microscopic dot on a
|
||||
microscopic dot lost in the unimaginable infinity of the Universe.
|
4
data/036
Normal file
4
data/036
Normal file
|
@ -0,0 +1,4 @@
|
|||
"It seemed to me," said Wonko the Sane, "that any civilization that had
|
||||
so far lost its head as to need to include a set of detailed
|
||||
instructions for use in a packet of toothpicks, was no longer a
|
||||
civilization in which I could live and stay sane."
|
2
data/037
Normal file
2
data/037
Normal file
|
@ -0,0 +1,2 @@
|
|||
Nothing travels faster than the speed of light with the possible
|
||||
exception of bad news, which obeys its own special laws.
|
2
data/038
Normal file
2
data/038
Normal file
|
@ -0,0 +1,2 @@
|
|||
The last time anybody made a list of the top hundred character
|
||||
attributes of New Yorkers, common sense snuck in at number 79.
|
4
data/039
Normal file
4
data/039
Normal file
|
@ -0,0 +1,4 @@
|
|||
Protect me from knowing what I don’t need to know. Protect me from even
|
||||
knowing that there are things to know that I don’t know. Protect me from
|
||||
knowing that I decided not to know about the things that I decided not
|
||||
to know about. Amen.
|
3
data/040
Normal file
3
data/040
Normal file
|
@ -0,0 +1,3 @@
|
|||
All you really need to know for the moment is that the universe is a lot
|
||||
more complicated than you might think, even if you start from a position
|
||||
of thinking it’s pretty damn complicated in the first place.
|
2
data/041
Normal file
2
data/041
Normal file
|
@ -0,0 +1,2 @@
|
|||
In the beginning the Universe was created. This has made a lot of people
|
||||
very angry and been widely regarded as a bad move.
|
1
data/042
Normal file
1
data/042
Normal file
|
@ -0,0 +1 @@
|
|||
Don't Panic.
|
22
data/043
Normal file
22
data/043
Normal file
|
@ -0,0 +1,22 @@
|
|||
'...You hadn't exactly gone out of your way to call attention to them
|
||||
had you? I mean like actually telling anyone or anything.'
|
||||
|
||||
'But the plans were on display...'
|
||||
|
||||
'On display? I eventually had to go down to the cellar to find them.'
|
||||
|
||||
'That's the display department.'
|
||||
|
||||
'With a torch.'
|
||||
|
||||
'Ah, well the lights had probably gone.'
|
||||
|
||||
'So had the stairs.'
|
||||
|
||||
'But look you found the notice didn't you?'
|
||||
|
||||
'Yes,' said Arthur, 'yes I did. It was on display in the bottom of a
|
||||
locked filing cabinet stuck in a disused lavatory with a sign on the
|
||||
door saying "Beware of The Leopard".'
|
||||
|
||||
- Arthur singing the praises of the local council planning department.
|
7
data/044
Normal file
7
data/044
Normal file
|
@ -0,0 +1,7 @@
|
|||
`Time is an illusion. Lunchtime doubly so.'
|
||||
|
||||
`Very deep,' said Arthur, `you should send that in to the
|
||||
"Reader's Digest". They've got a page for people like you.'
|
||||
|
||||
- Ford convincing Arthur to drink three pints in ten minutes at
|
||||
lunchtime.
|
4
data/045
Normal file
4
data/045
Normal file
|
@ -0,0 +1,4 @@
|
|||
`This must be Thursday,' said Arthur to himself, sinking low over his
|
||||
beer, `I never could get the hang of Thursdays.'
|
||||
|
||||
- Arthur, on what was to be his last Thursday on Earth.
|
9
data/046
Normal file
9
data/046
Normal file
|
@ -0,0 +1,9 @@
|
|||
Pages one and two [of Zaphod's presidential speech] had been salvaged by
|
||||
a Damogran Frond Crested Eagle and had already become incorporated into
|
||||
an extraordinary new form of nest which the eagle had invented. It was
|
||||
constructed largely of papier mache and it was virtually impossible for
|
||||
a newly hatched baby eagle to break out of it. The Damogran Frond
|
||||
Crested Eagle had heard of the notion of survival of the species but
|
||||
wanted no truck with it.
|
||||
|
||||
- An example of Damogran wildlife.
|
15
data/047
Normal file
15
data/047
Normal file
|
@ -0,0 +1,15 @@
|
|||
`How do you feel?' he asked him.
|
||||
|
||||
`Like a military academy,' said Arthur, `bits of me keep passing out.....'
|
||||
|
||||
`We're safe,' he said.
|
||||
|
||||
`Oh good,' said Arthur.
|
||||
|
||||
`We're in a small galley cabin,' said Ford, `in one of the spaceships of
|
||||
the Vogon Constructor Fleet.'
|
||||
|
||||
`Ah,' said Arthur, `this is obviously some strange usage of the word
|
||||
"safe" that I wasn't previously aware of.'
|
||||
|
||||
- Arthur after his first ever teleport ride.
|
4
data/048
Normal file
4
data/048
Normal file
|
@ -0,0 +1,4 @@
|
|||
`The best way to get a drink out of a Vogon is to stick your finger down
|
||||
his throat...'
|
||||
|
||||
- The Book, on one of the Vogon's social inadequacies.
|
8
data/049
Normal file
8
data/049
Normal file
|
@ -0,0 +1,8 @@
|
|||
`You'd better be prepared for the jump into hyperspace. It's
|
||||
unpleasantly like being drunk.'
|
||||
|
||||
`What's so unpleasant about being drunk?'
|
||||
|
||||
`You ask a glass of water.'
|
||||
|
||||
- Arthur getting ready for his first jump into hyperspace.
|
3
data/050
Normal file
3
data/050
Normal file
|
@ -0,0 +1,3 @@
|
|||
`Ford, you're turning into a penguin. Stop it.'
|
||||
|
||||
- Arthur experiences the improbability drive at work.
|
10
data/051
Normal file
10
data/051
Normal file
|
@ -0,0 +1,10 @@
|
|||
`I think you ought to know that I'm feeling very depressed.'
|
||||
|
||||
`Life, don't talk to me about life.'
|
||||
|
||||
`Here I am, brain the size of a planet and they ask me to take you down
|
||||
to the bridge. Call that "job satisfaction"? 'Cos I don't.'
|
||||
|
||||
`I've got this terrible pain in all the diodes down my left side.'
|
||||
|
||||
- Guess who.
|
4
data/052
Normal file
4
data/052
Normal file
|
@ -0,0 +1,4 @@
|
|||
`If there's anything more important than my ego around, I want it caught
|
||||
and shot now.'
|
||||
|
||||
- Zaphod.
|
5
data/053
Normal file
5
data/053
Normal file
|
@ -0,0 +1,5 @@
|
|||
`In those days spirits were brave, the stakes were high, men were REAL
|
||||
men, women were REAL women, and small furry creatures from Alpha
|
||||
Centauri were REAL small furry creatures from Aplha Centauri.'
|
||||
|
||||
- The Book getting all nostalgic.
|
18
data/054
Normal file
18
data/054
Normal file
|
@ -0,0 +1,18 @@
|
|||
`Hey this is terrific!' Zaphod said. `Someone down there is trying to
|
||||
kill us!'
|
||||
|
||||
`Terrific,' said Arthur.
|
||||
|
||||
`But don't you see what this means?'
|
||||
|
||||
`Yes. We are going to die.'
|
||||
|
||||
`Yes, but apart from that.'
|
||||
|
||||
`APART from that?'
|
||||
|
||||
`It means we must be on to something!'
|
||||
|
||||
`How soon can we get off it?'
|
||||
|
||||
- Zaphod and Arthur in a certain death situation over Magrathea.
|
6
data/055
Normal file
6
data/055
Normal file
|
@ -0,0 +1,6 @@
|
|||
And wow! Hey! What's this thing coming towards me very fast? Very very
|
||||
fast. So big and flat and round, it needs a big wide sounding word
|
||||
like... ow... ound... round... ground! That's it! That's a good name -
|
||||
ground! I wonder if it will be friends with me?
|
||||
|
||||
- For the sperm whale, it wasn't.
|
3
data/056
Normal file
3
data/056
Normal file
|
@ -0,0 +1,3 @@
|
|||
Oh no, not again.
|
||||
|
||||
- A bowl of petunias on it's way to certain death.
|
14
data/057
Normal file
14
data/057
Normal file
|
@ -0,0 +1,14 @@
|
|||
`Er, hey Earthman...'
|
||||
|
||||
`Arthur,' said Arthur.
|
||||
|
||||
`Yeah, could you just sort of keep this robot with you and guard this
|
||||
end of the passageway. OK?'
|
||||
|
||||
`Guard?' said Arthur. `What from? You just said there's no one here.'
|
||||
|
||||
`Yeah, well, just for safety, OK?' said Zaphod.
|
||||
|
||||
`Whose? Yours or mine?'
|
||||
|
||||
- Arthur drawing the short straw on Magrathea.
|
5
data/058
Normal file
5
data/058
Normal file
|
@ -0,0 +1,5 @@
|
|||
There are of course many problems connected with life, of which some of
|
||||
the most popular are `Why are people born?' `Why do they die?' `Why do
|
||||
they spend so much of the intervening time wearing digital watches?'
|
||||
|
||||
- The Book.
|
12
data/059
Normal file
12
data/059
Normal file
|
@ -0,0 +1,12 @@
|
|||
`Right,' said Ford, `I'm going to have a look.'
|
||||
|
||||
He glanced round at the others.
|
||||
|
||||
`Is no one going to say, "No you can't possibly, let me go instead"?'
|
||||
|
||||
They all shook their heads.
|
||||
|
||||
`Oh well.'
|
||||
|
||||
- Ford attempting to be heroic whilst being seiged by Shooty and
|
||||
Bangbang.
|
9
data/060
Normal file
9
data/060
Normal file
|
@ -0,0 +1,9 @@
|
|||
`In the beginning the Universe was created. This has made a lot of
|
||||
people very angry and been widely regarded as a bad move.'
|
||||
|
||||
- The Book just recapping what happened in the last book.
|
||||
|
||||
`I am so amazingly cool you could keep a side of meat in me for a month.
|
||||
I am so hip I have difficulty seeing over my pelvis.'
|
||||
|
||||
- Zaphod being cool.
|
14
data/061
Normal file
14
data/061
Normal file
|
@ -0,0 +1,14 @@
|
|||
`You ARE Zaphod Beeblebrox?'
|
||||
|
||||
`Yeah,' said Zaphod, `but don't shout it out or they'll all want one.'
|
||||
|
||||
`THE Zaphod Beeblebrox?'
|
||||
|
||||
`No, just A Zaphod Bebblebrox, didn't you hear I come in six packs?'
|
||||
|
||||
`But sir,' it squealed, `I just heard on the sub-ether radio report. It
|
||||
said you were dead...'
|
||||
|
||||
`Yeah, that's right, I just haven't stopped moving yet.'
|
||||
|
||||
- Zaphod and the Guide's receptionist.
|
6
data/062
Normal file
6
data/062
Normal file
|
@ -0,0 +1,6 @@
|
|||
The fronting for the eighty-yard-long marble-topped bar had been made by
|
||||
stitching together nearly twenty thousand Antarean Mosaic Lizard skins,
|
||||
despite the fact that the twenty thousand lizards concerned had needed
|
||||
them to keep their insides in.
|
||||
|
||||
- The Book decribing Milliways' politically incorrect decor.
|
14
data/063
Normal file
14
data/063
Normal file
|
@ -0,0 +1,14 @@
|
|||
`...and the Universe,' continued the waiter, determined not to be
|
||||
deflected on his home stretch, `will explode later for your pleasure.'
|
||||
|
||||
Ford's head swivelled slowly towards him. He spoke with feeling.
|
||||
|
||||
`Wow,' he said, `What sort of drinks do you serve in this place?'
|
||||
|
||||
The waiter laughed a polite little waiter's laugh.
|
||||
|
||||
`Ah,' he said, `I think sir has perhaps misunderstood me.'
|
||||
|
||||
`Oh, I hope not,' breathed Ford.
|
||||
|
||||
- Ford in paradise.
|
4
data/064
Normal file
4
data/064
Normal file
|
@ -0,0 +1,4 @@
|
|||
Zaphod grinned two manic grins, sauntered over to the bar and bought
|
||||
most of it.
|
||||
|
||||
- Zaphod in paradise.
|
12
data/065
Normal file
12
data/065
Normal file
|
@ -0,0 +1,12 @@
|
|||
`Maybe somebody here tipped off the Galactic Police,' said Trillian.
|
||||
|
||||
`Everybody saw you come in.'
|
||||
|
||||
`You mean they want to arrest me over the phone?' said Zaphod, `Could
|
||||
be. I'm a pretty dangerous dude when I'm cornered.'
|
||||
|
||||
`Yeah,' said a voice from under the table [Ford's now completely
|
||||
rat-arsed at this point], `you go to pieces so fast people get hit by
|
||||
the shrapnel.'
|
||||
|
||||
- Zaphod getting paranoid over a phone call.
|
10
data/066
Normal file
10
data/066
Normal file
|
@ -0,0 +1,10 @@
|
|||
`Hand me the rap-rod, Plate Captain.'
|
||||
|
||||
The little waiter's eyebrows wandered about his forehead in confusion.
|
||||
|
||||
`I beg your pardon, sir?' he said.
|
||||
|
||||
`The phone, waiter,' said Zaphod, grabbing it off him. `Shee, you guys
|
||||
are so unhip it's a wonder your bums don't fall off.'
|
||||
|
||||
- Zaphod discovers that waiters are the least hip people in the Universe.
|
5
data/067
Normal file
5
data/067
Normal file
|
@ -0,0 +1,5 @@
|
|||
The main reception foyer was almost empty but Ford nevertheless weaved
|
||||
his way through it.
|
||||
|
||||
- Ford making his way out of Milliways whilst
|
||||
under the influence of enough alcohol to make a rhino sing.
|
6
data/068
Normal file
6
data/068
Normal file
|
@ -0,0 +1,6 @@
|
|||
`The first ten million years were the worst,' said Marvin, `and the
|
||||
second ten million, they were the worst too. The third ten million I
|
||||
didn't enjoy at all. After that I went into a bit of a decline.'
|
||||
|
||||
- Marvin reflecting back on his 576,000,003,579 year career as
|
||||
Milliways' car park attendent.
|
16
data/069
Normal file
16
data/069
Normal file
|
@ -0,0 +1,16 @@
|
|||
`Incidentally,' he said, `what does teleport mean?'
|
||||
|
||||
Another moment passed.
|
||||
|
||||
Slowly, the others turned to face him.
|
||||
|
||||
`Probably the wrong moment to ask,' said Arthur, `It's just I remember
|
||||
you use the word a short while ago and I only bring it up because...'
|
||||
|
||||
`Where,' said Ford quietly, `does it say teleport?'
|
||||
|
||||
`Well, just over here in fact,' said Arthur, pointing at a dark control
|
||||
box in the rear of the cabin, `Just under the word "emergency" above the
|
||||
word "system" and beside the sign saying "out of order".'
|
||||
|
||||
- Arthur finding an escape route from a certain death situation.
|
6
data/070
Normal file
6
data/070
Normal file
|
@ -0,0 +1,6 @@
|
|||
I teleported home one night
|
||||
With Ron and Sid and Meg.
|
||||
Ron stole Meggie's heart away
|
||||
And I got Sidney's leg.
|
||||
|
||||
- A poem about matter transference beams.
|
4
data/071
Normal file
4
data/071
Normal file
|
@ -0,0 +1,4 @@
|
|||
Anyone who is capable of getting themselves made President should on no
|
||||
account be allowed to do the job.
|
||||
|
||||
- Some wisdom from The Book.
|
11
data/072
Normal file
11
data/072
Normal file
|
@ -0,0 +1,11 @@
|
|||
`We've got to find out what people want from fire, how they relate to
|
||||
it, what sort of image it has for them.'
|
||||
|
||||
The crowd were tense. They were expecting something wonderful from Ford.
|
||||
|
||||
`Stick it up your nose,' he said.
|
||||
|
||||
`Which is precisely the sort of thing we need to know,' insisted the
|
||||
girl, `Do people want fire that can be fitted nasally?'
|
||||
|
||||
- Ford "debating" what to do with fire with a marketing girl.
|
9
data/073
Normal file
9
data/073
Normal file
|
@ -0,0 +1,9 @@
|
|||
The story goes that I first had the idea for THHGTTG while lying drunk
|
||||
in a field in Innsbruck (or `Spain' as the BBC TV publicity department
|
||||
authoritatively has it, probably because it's easier to spell).
|
||||
|
||||
- Foreward by DNA.
|
||||
|
||||
FORD: Six pints of bitter. And quickly please, the world's about to end.
|
||||
|
||||
BARMAN: Oh yes, sir? Nice weather for it.
|
7
data/074
Normal file
7
data/074
Normal file
|
@ -0,0 +1,7 @@
|
|||
BOOK: Meanwhile, the starship has landed on the surface of Magrathea and
|
||||
Trillian is about to make one of the most important statements of her
|
||||
life. Its importance is not immediately recognised by her companions.
|
||||
|
||||
TRILL: Hey, my white mice have escaped.
|
||||
|
||||
ZAPHOD: Nuts to your white mice.
|
5
data/075
Normal file
5
data/075
Normal file
|
@ -0,0 +1,5 @@
|
|||
...Man had always assumed that he was more intelligent than dolphins
|
||||
because he had achieved so much... the wheel, New York, wars, and so on,
|
||||
whilst all the dolphins had ever done was muck about in the water having
|
||||
a good time. But conversely the dolphins believed themselves to be more
|
||||
intelligent than man for precisely the same reasons.
|
9
data/076
Normal file
9
data/076
Normal file
|
@ -0,0 +1,9 @@
|
|||
ARTHUR: What is an Algolian Zylatburger anyway?
|
||||
|
||||
FORD: They're a kind of meatburger made from the most unpleasant parts
|
||||
of a creature well known for its total lack of any pleasant parts.
|
||||
|
||||
ARTHUR: So you mean that the Universe does actually end not with a bang
|
||||
but with a Wimpy?
|
||||
|
||||
- Cut dialogue from Fit the Fifth.
|
12
data/077
Normal file
12
data/077
Normal file
|
@ -0,0 +1,12 @@
|
|||
FORD: Tell me Arthur...
|
||||
|
||||
ARTHUR: Yes?
|
||||
|
||||
FORD: This boulder we're stuck under, how big would you say it was?
|
||||
Roughly?
|
||||
|
||||
ARTHUR: Oh, about the size of Coventry Cathedral.
|
||||
|
||||
FORD: Do you think we could move it? (Arthur doesn't reply) Just asking.
|
||||
|
||||
- Ford and Arthur in a tricky situation, Fit the Eighth.
|
9
data/078
Normal file
9
data/078
Normal file
|
@ -0,0 +1,9 @@
|
|||
What to do if you find yourself stuck in a crack in the ground underneath
|
||||
a giant boulder you can't move, with no hope of rescue. Consider how
|
||||
lucky you are that life has been good to you so far. Alternatively, if
|
||||
life hasn't been good to you so far, which given your current
|
||||
circumstances seems more likely, consider how lucky you are that it
|
||||
won't be troubling you much longer.
|
||||
|
||||
- Comforting advice for Ford and Arthur in this current situation, Fit
|
||||
the Eighth.
|
17
data/079
Normal file
17
data/079
Normal file
|
@ -0,0 +1,17 @@
|
|||
ZAPHOD: Hey, this rock...
|
||||
|
||||
FORD: Marble...
|
||||
|
||||
ZAPHOD: Marble...
|
||||
|
||||
FORD: Ice-covered marble...
|
||||
|
||||
ZAPHOD: Right... it's as slippery as... as... What's the slipperiest
|
||||
thing you can think of?
|
||||
|
||||
FORD: At the moment? This marble.
|
||||
|
||||
ZAPHOD: Right. This marble is as slippery as this marble.
|
||||
|
||||
- Zaphod and Ford trying to get a grip on things in Brontitall, Fit
|
||||
the Tenth.
|
4
data/080
Normal file
4
data/080
Normal file
|
@ -0,0 +1,4 @@
|
|||
It's not a question of whose habitat it is, it's a question of how hard
|
||||
you hit it.
|
||||
|
||||
- Arthur pointing out one of the disadvantages of gravity, Fit the Tenth.
|
22
data/081
Normal file
22
data/081
Normal file
|
@ -0,0 +1,22 @@
|
|||
ARTHUR: It probably seems a terrible thing to say, but you know what I
|
||||
sometimes think would be useful in these situations?
|
||||
|
||||
LINT.: What?
|
||||
|
||||
ARTHUR: A gun of some sort.
|
||||
|
||||
LINT.2: Will this help?
|
||||
|
||||
ARTHUR: What is it?
|
||||
|
||||
LINT.2: A gun of some sort.
|
||||
|
||||
ARTHUR: Oh, that'll help. Can you make it fire?
|
||||
|
||||
LINT.: Er...
|
||||
|
||||
F/X: DEAFENING ROAR
|
||||
|
||||
LINT.: Yes.
|
||||
|
||||
- Arthur and the Lintillas gaining the upper hand, Fit the Twelfth.
|
5
data/082
Normal file
5
data/082
Normal file
|
@ -0,0 +1,5 @@
|
|||
He stood up straight and looked the world squarely in the fields and
|
||||
hills. To add weight to his words he stuck the rabbit bone in his hair.
|
||||
He spread his arms out wide. `I will go mad!' he announced.
|
||||
|
||||
- Arthur discovering a way of coping with life on Prehistoric Earth.
|
14
data/083
Normal file
14
data/083
Normal file
|
@ -0,0 +1,14 @@
|
|||
`... then I decided that I was a lemon for a couple of weeks. I kept
|
||||
myself amused all that time jumping in and out of a gin and tonic.'
|
||||
|
||||
Arthur cleared his throat, and then did it again.
|
||||
`Where,' he said, `did you...?'
|
||||
|
||||
`Find a gin and tonic?' said Ford brightly. `I found a small lake that
|
||||
thought it was a gin and tonic, and jumped in and out of that. At least,
|
||||
I think it thought it was a gin and tonic.'
|
||||
|
||||
`I may,' he addded with a grin which would have sent sane men scampering
|
||||
into the trees, `have been imagining it.'
|
||||
|
||||
- Ford updating Arthur about what he's been doing for the past four years.
|
5
data/084
Normal file
5
data/084
Normal file
|
@ -0,0 +1,5 @@
|
|||
`Eddies,' said Ford, `in the space-time continuum.'
|
||||
|
||||
`Ah,' nodded Arthur, `is he? Is he?'
|
||||
|
||||
- Arthur failing in his first lesson of galactic physics in four years.
|
5
data/085
Normal file
5
data/085
Normal file
|
@ -0,0 +1,5 @@
|
|||
Ford grabbed him by the lapels of his dressing gown and spoke to him as
|
||||
slowly and distinctly and patiently as if he were somebody from a
|
||||
telephone company accounts department.
|
||||
|
||||
- Ford trying to rectify that situation.
|
3
data/086
Normal file
3
data/086
Normal file
|
@ -0,0 +1,3 @@
|
|||
...[Arthur] leapt to his feet like an author hearing the phone ring...
|
||||
|
||||
- Who says that the character of Arthur isn't autobiographical?
|
14
data/087
Normal file
14
data/087
Normal file
|
@ -0,0 +1,14 @@
|
|||
Arthur's consciousness approached his body as from a great distance,
|
||||
and reluctantly. It had had some bad times in there. Slowly, nervously,
|
||||
it entered and settled down into its accustomed position.
|
||||
|
||||
Arthur sat up.
|
||||
|
||||
`Where am I?' he said.
|
||||
|
||||
`Lord's Cricket Ground,' said Ford.
|
||||
|
||||
`Fine,' said Arthur, and his consciousness stepped out again for a quick
|
||||
breather. His body flopped back on the grass.
|
||||
|
||||
- Arthur coping with his return to Earth as best as he could.
|
8
data/088
Normal file
8
data/088
Normal file
|
@ -0,0 +1,8 @@
|
|||
`A curse,' said Slartibartfast, `which will engulf the Galaxy in fire
|
||||
and destruction, and possibly bring the Universe to a premature doom. I
|
||||
mean it,' he added.
|
||||
|
||||
`Sounds like a bad time,' said Ford, `with luck I'll be drunk enough not
|
||||
to notice.'
|
||||
|
||||
- Ford ensuring everyone knew where his priorities lay.
|
9
data/089
Normal file
9
data/089
Normal file
|
@ -0,0 +1,9 @@
|
|||
Trillian did a little research in the ship's copy of THHGTTG. It had
|
||||
some advice to offer on drunkenness.
|
||||
|
||||
`Go to it,' it said, `and good luck.'
|
||||
|
||||
It was cross-referenced to the entry concerning the size of the Universe
|
||||
and ways of coping with that.
|
||||
|
||||
- One of the more preferable pieces of advice contained in the Guide.
|
5
data/090
Normal file
5
data/090
Normal file
|
@ -0,0 +1,5 @@
|
|||
His eyes seemed to be popping out of his head. He wasn't certain if this
|
||||
was because they were trying to see more clearly, or if they simply
|
||||
wanted to leave at this point.
|
||||
|
||||
- Arthur trying to see who had diverted him from going to a party.
|
11
data/091
Normal file
11
data/091
Normal file
|
@ -0,0 +1,11 @@
|
|||
Arthur yawed wildly as his skin tried to jump one way and his skeleton
|
||||
the other, whilst his brain tried to work out which of his ears it most
|
||||
wanted to crawl out of.
|
||||
|
||||
`Bet you weren't expecting to see me again,' said the monster, which
|
||||
Arthur couldn't help thinking was a strange remark for it to make,
|
||||
seeing as he had never met the creature before. He could tell that he
|
||||
hadn't met the creature before from the simple fact that he was able to
|
||||
sleep at nights.
|
||||
|
||||
- Arthur discovering who had diverted him from going to a party.
|
5
data/092
Normal file
5
data/092
Normal file
|
@ -0,0 +1,5 @@
|
|||
`That young girl is one of the least benightedly unintelligent organic
|
||||
life forms it has been my profound lack of pleasure not to be able to
|
||||
avoid meeting.'
|
||||
|
||||
- Marvin's first ever compliment about anybody.
|
5
data/093
Normal file
5
data/093
Normal file
|
@ -0,0 +1,5 @@
|
|||
`Credit?' he said. `Aaaargggh...'
|
||||
|
||||
These two words are usually coupled together in the Old Pink Dog Bar.
|
||||
|
||||
- Ford in a spot of bother.
|
4
data/094
Normal file
4
data/094
Normal file
|
@ -0,0 +1,4 @@
|
|||
There was a point to this story, but it has temporarily escaped the
|
||||
chronicler's mind.
|
||||
|
||||
- This line perhaps best sums up the whole book.
|
Some files were not shown because too many files have changed in this diff Show more
Loading…
Add table
Reference in a new issue